Tag Archives: learning

open data process + design workshop

What’s the taste of corruption?

DC_Kosovo

The next Data Cuisine Workshop will focus on ‘Corruption’ and take place in Pristina, Kosovo. If you have questions about it, please contact us. You want to participate? Simply register at here. Let’s find out together how corruption tastes!

Corruption remains one of the most significant problems Kosovo faces today. UNPD Kosovo fights strongly to make corruption a problem of the past. We are happy to be invited by them to tell stories of corruption through data dishes that we will create during this two-day workshop on February 25-26, 2017.

action process + art process + design workshop

Out of Soil continues in India

The Out of Soil project started as a playful action in Berlin in April 2015. The project and its different parts have taken their cues from the ambiguous meaning of the words ‘out of soil’ as in ‘made out of soil’ or ‘running out of soil’.

soil-says-sticker_cropped
We are happy to announce that the project Out of Soil will be happening in New Delhi, India end of this month. New to the project are Soil Speaks stickers which give wearers a chance to give soil a voice. We have been invited by Dr Vandana Shiva and Navdanya
to perform the Out of Soil action at the Bhoomi: Maati Ma – The Festival of Soil on October 1.

As a new extension to the Out of Soil project, we will run a 3-day Soil Games workshop with high-school students in New Delhi. Soil is much more than just a matter of economic and existential value, but the way we perceive and use it is deeply rooted in our cultures. The workshop brings up the culturally different concepts and personal stories connected to soil and transforms them into games.

Together with the students we will develop and play games that relate to the themes of soil and land use. We will introduce various game mechanics and talk about typical local games. Moreover, participants will learn about soil and land issues in the world, about the composition of soil as well as plants and life underground. Also traditional and cultural meanings of soil will be looked at: what role does soil play in myths and religious beliefs? We will discuss the economic and social meanings of land, land use, ownership and agriculture and their ramifications on the life of each of us. Based on these introductions, games will be developed and tested in small groups, and eventually presented at the Festival of Soil.

Out of Soil in India is supported by IFA, Institut für Auslandsbeziehungen.

 

process + art

Out of Soil: How much land is in your food?

OutofSoil_cropped_web

Out of Soil is a performative project by Myriel Milicevic and Susanne Jaschko, and brings to attention the correlation of land use, farmers’ rights and the question ‘How much land is in your food?’.

Our soil is under pressure. Growing consumption and demand for resources take a toll on the soil — urbanisation, intensive farming, erosion and land grabbing are only some of the manifold consequences. Soil as matter is as much affected as the lives of people who have farmed for generations. Out of Soil examines these different aspects in a playful action.
Out of Soil: made from soil / not having soil.

Out of Soil Stamps
Each visitor gets Soils Stamps, which are printed at the Soil Press Station with self-made soil paint. The Soil Stamps resemble food stamps, thus reminding us that food can only be produced in exchange for other resources. When a visitor consumes food or beverages, we stamp the Soil Stamps accordingly.

Out of Soil Map
The Out of Soil Map illustrates the issue of large-scale land acquisitions: the buying of large pieces of land in developing countries, by domestic and transnational companies and governments. These transactions have long-lasting consequences for the local and regional agriculture and ecosystems, for farmers and the provision of the local population. We will stamp the Out of Soil Map, depending on what the visitors consume.

Soil Profile
Upon entrance the visitors are questioned regarding their relation to soil. Thereupon each visitor gets a sticker that displays his or her personal Soil Profile. The stickers are to be worn on the clothing. They might serve as a starting point for conversations among the visitors.

The project was developed for the International Week of Justice 2015 at Friedrich Ebert Stiftung. The project takes place at Haus 2 on April 21 – 23 from 17:30 to the end of the talks. Program flyer

About Myriel: Myriel Milicevic explores the hidden connections between people and their natural, social, and technical environments. These explorations are mostly of a participatory and playful nature and stimulate thinking about possible alternative systems. neighbourhoodsatellites.com

About Susanne: Susanne Jaschko is the founder of the prozessagenten label and works as curator of contemporary art. With prozessagenten she explores participation and collaboration as cultural techniques which support change and the generation of knowledge. sujaschko.de/en

open data workshop

What’s the taste of data? The Data Cuisine workshop in Barcelona

How does a tortilla taste whose recipe is based on well-being data in Spain? Would you rather like the cake based on the science funding 2005 or in 2013? Can you imagine how a fish dish can represent the emigrants from Spain to countries across the world?


The second Data Cuisine workshop took place in Barcelona on June 10-13, 2014 as part of the Big Bang Data exhibition at CCCB, and in coordination with Sonar.
For the culinary side of the project, we collaborated with Sebastian Velilla, a fantastic chef who has worked for the Alicia Foundation and is currently involved in the activities of the Torribera Food and Nutrition Campus of the University of Barcelona.datacuisine_BCN1
On four afternoons, twelve participants explored data of Barcelona, Catalonia and Spain with culinary means.
The first two afternoons were about getting into the methodology and coming up with quick ideas how to represent topics and data with dishes. We got some inspiration from our exclusive visit to Ferran Adria’s BullipediaLab, an emerging space dedicated to the research of food creativity.
datacuisine_BCN2We spent the second half of the workshop in the kitchen, where the participants refined their recipes and made first tests and prototypes. On the last day, the participants, of which many worked in groups of two or three, produced their final dishes. The workshop ended with a presentation and tasting of all data dishes.
datacuisine_BCN3
Thanks go to Jose Luis de Vicente and Olga Subiros for bringing us over, and our fantastic participants, especially Luis Fraguada, who brought a food printer, which we will surely hear more of in the future.
All results of the Barcelona workshop and more images can be found on the Data Cuisine website. You can also follow us on Facebook or Twitter
. The Data Cuisine workshops are led by prozessagent Susanne Jaschko and Moritz Stefaner.


 

book process + art

Autopsy of an Island Currency published and available online

MoneyLab-digiflyer

Autopsy of an Island Currency was launched last weekend at Camp Pixelache in Helsinki. The book documents and reflects on the Suomenlinna Money Lab project — an artistic research project that tried to create an experimental local currency for the small island of Suomenlinna near Helsinki.

You can download the free PDF of the book here.

The general aim of the Money Lab was to engage with the specifics of a local setting by working with local people and creating a project that would generate interesting research and be beneficial to local dynamics. It was an ambitious attempt to explore and affect a unique place and its social dynamics through participatory art and design practice. The project was initiated by Susanne Jaschko / prozessagenten and produced by Pixelache, a cultural organisation in Helsinki, who together invited artist Christian Nold to develop a project for Helsinki.

The book describes the project’s process in detail trough a combination of first-person narration and ‘artefacts’, a wide selection of documented materials in the form of emails, notes, sketches, announcements and reflections. The publication also analyses the project’s challenges, such as the internal social dynamics and power structures of the island, which the Suomenlinna Money Lab project rendered visible. In addition, commissioned essays by authors Jaromil, Chris Lee, Pekko Koskinen, Antti Jauhiainen and Suzana Milevska contextualise the project and discuss subjects such as the challenges of participatory art, the value and hybrid nature of participatory projects, and the potentials of alternative money systems. The book is aimed at practitioners who work at the intersection of art, research and social action. It should be particularly useful for people working on alternative money models or on participatory projects that request a high degree of people’s commitment.