process + city workshop

MicroCosMoss workshop at Climate Care Festival on Sept 22, 2023

Moss grows at Floating University in unexpected places and in unthinkable forms. Far from romanticised ideas of soft moss covering rocks in the forest, here moss grows over rusted steel structures, in symbiosis with decaying concrete or polluted water. This workshop is an immersive experience in the world of moss. It consists of exercises and explorations that focus on different qualities of moss such as resilience and adaptability, sexuality and dispersal, water holding, symbioses and interactions.

Together we will spend time with the mosses, becoming intimate with them, their habitats and co-habitants through sensorial immersion, somatic meditation, readings, drawing, mapping and microscoping.

The workshop MicroCosMoss was conceived and realised first in context of the MATTER OF FLUX Research Network, organised by Art Laboratory Berlin.

It has been developped by Jacky Hess, Eva-Fiore Kovacovsky, Lucy Powell and Susanne Jaschko. Each version of the workshop adapts to its environment.

Jacky Hess is a Berlin-based evolutionary biologist and enthusiast of all things small and ephemeral. She has researched the origins of symbioses of fungi and plants, evolutionary ecology of wood decomposer fungi and now works in synthetic biology. 

Eva-Fiore Kovacovsky is an artist based in Berlin. She grew up in nature with the forest and its inhabitants as her kin. Using cultural, scientific and personal stories she works with plant specimens experimenting with analogue photography.

Lucy Powell is a UK artist based in Berlin whose research-based practice is part of a wider ontological inquiry into more-than-human nature and how to be in the world today. Choosing to work outside the gallery space, she creates walks, workshops, maps, audio works, participatory performances and books. 

Under the label prozessagenten, Dr Susanne Jaschko explores new ways of learning collaboratively and generating knowledge through co-creation, interdisciplinarity and sensory experience. She also works as a cultural manager and curator.

You can register for this workshop at climatecare@floating-berlin.org.

open data process + design workshop

What’s the taste of corruption?

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The next Data Cuisine Workshop will focus on ‘Corruption’ and take place in Pristina, Kosovo. If you have questions about it, please contact us. You want to participate? Simply register at here. Let’s find out together how corruption tastes!

Corruption remains one of the most significant problems Kosovo faces today. UNPD Kosovo fights strongly to make corruption a problem of the past. We are happy to be invited by them to tell stories of corruption through data dishes that we will create during this two-day workshop on February 25-26, 2017.

report workshop

What makes a good data chef?

The last edition of the Data Cuisine in 2015 brought us to Leeuwarden, where this year’s Media Art Friesland Festival centred on food as a topic. Leeuwarden is a small town in the north-west of the Netherlands. It’s a cosy and tidy place, where the real Frisians speak Frisian, a language that is the closest to English. It doesn’t have much manufacturing industry, and lives mainly from agriculture and service industry.

Eight people participated in the workshop and of these three were from Leeuwarden. Like often, when we run a Data Cuisine workshop, people from other cities or even countries travel to join the workshop. This time, most participants lived in the Netherlands, but some originally came from Sweden, Germany or Austria.

Working with such a small group sounds like spending a lot of resources on a workshop whose experimental character doesn’t promise any kind of immediate revenues. But Data Cuisine workshops are intense, in that for most participants it’s not easy to bring the data and the food together — which means a lot of knowledge transfer, support and talking on the our part. In Leeuwarden, where we didn’t have two full days for the workshop, we felt that more participants could have been problematic in this regard.

Having run this workshop six times already, we have learnt that participants mainly struggle with two challenges, both connected to the data:

Knowing which story to tell and finding the data, that support the story

A data dish is only as good as the story you want to tell or the statement you want to make with it. Some participants arrive at the workshop, knowing exactly what they want to say with a dish, but they don’t have the right numbers at hand that they could use. Finding the necessary data set during the workshop is almost impossible — if the particular statistical data exist at all. Unfortunately, a good amount of ideas for data dishes couldn’t be realised simply because the data was missing.

In other cases, people bring data to the workshop, that they find interesting, but the numbers don’t allow an interesting comparison. But a high-contrast comparison between data points is necessary for representing statistical data with food, since food is not a super-precise but rather a ‘low-res’ medium.

It does not sound too difficult to find a story to tell or a statement to make —­ but sometimes it’s exactly this part that challenges participants most. It’s easy to get hooked by some interestingly looking data, but that’s not enough to create a good data dish. The stronger your own angle is on the data, the better the dish.

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A statistics on cannabis consumption among 15-16 year old kids inspired Saskia and Saibot. They have never tried cannabis and wanted to make a statement about kids not having to. They wanted to create a dish that could serve as an alternative to smoking a joint — a dish that gives you a natural high because of its taste.

The second big challenge is to transfer the data into food

It seems to be rather difficult for most participants to stick to the data and to work on a more or less precise representation. Certainly, it’s easier to use the statistics for inspiration only. We however insist on the relative accurateness of the transferred data, because the precision of the data gives a dish a true kick. In order to be precise, we can’t avoid rulers and balances, measuring cups and sometimes calculators.

To sum up, being a Data Cuisine chef requires rich imagination, an associative mind, but also the ability to enjoy precision and the challenges that come with it. Data visualisation and representation is a language with a distinct set of rules and a huge vocabulary. It becomes exciting when you follow those rules and when you are able to choose the right “words” out of the vast array of possibilities in order to say what you think.

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Daan, Anja and Franzi expressed their concern about the ageing Dutch society. They chose data in the form of the population pyramid of Dutch citizens in 1960, 2015 and 2050, and created a pasta graphics with it. The three colours represent the young (green), the not-so-young-anymore (red) and the old (black). In order to give a taste of the different age groups, the 1960’s pasta is topped with a meat sauce made with a prefab blend of spices by Knorr. The 2015 ‘back-to-basics’ pasta comes with Carbonara, and the pasta of the future is a mix of noodles and Wakame salad.

More on the results of the Leeuwarden Data Cuisine workshop can be found here: http://www.citylab.com/design/2015/11/more-delicious-dishes-from-the-masterchefs-of-data-cuisine/416511/

action process + art process + design workshop

Out of Soil continues in India

The Out of Soil project started as a playful action in Berlin in April 2015. The project and its different parts have taken their cues from the ambiguous meaning of the words ‘out of soil’ as in ‘made out of soil’ or ‘running out of soil’.

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We are happy to announce that the project Out of Soil will be happening in New Delhi, India end of this month. New to the project are Soil Speaks stickers which give wearers a chance to give soil a voice. We have been invited by Dr Vandana Shiva and Navdanya
to perform the Out of Soil action at the Bhoomi: Maati Ma – The Festival of Soil on October 1.

As a new extension to the Out of Soil project, we will run a 3-day Soil Games workshop with high-school students in New Delhi. Soil is much more than just a matter of economic and existential value, but the way we perceive and use it is deeply rooted in our cultures. The workshop brings up the culturally different concepts and personal stories connected to soil and transforms them into games.

Together with the students we will develop and play games that relate to the themes of soil and land use. We will introduce various game mechanics and talk about typical local games. Moreover, participants will learn about soil and land issues in the world, about the composition of soil as well as plants and life underground. Also traditional and cultural meanings of soil will be looked at: what role does soil play in myths and religious beliefs? We will discuss the economic and social meanings of land, land use, ownership and agriculture and their ramifications on the life of each of us. Based on these introductions, games will be developed and tested in small groups, and eventually presented at the Festival of Soil.

Out of Soil in India is supported by IFA, Institut für Auslandsbeziehungen.

 

process + art

Out of Soil: How much land is in your food?

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Out of Soil is a performative project by Myriel Milicevic and Susanne Jaschko, and brings to attention the correlation of land use, farmers’ rights and the question ‘How much land is in your food?’.

Our soil is under pressure. Growing consumption and demand for resources take a toll on the soil — urbanisation, intensive farming, erosion and land grabbing are only some of the manifold consequences. Soil as matter is as much affected as the lives of people who have farmed for generations. Out of Soil examines these different aspects in a playful action.
Out of Soil: made from soil / not having soil.

Out of Soil Stamps
Each visitor gets Soils Stamps, which are printed at the Soil Press Station with self-made soil paint. The Soil Stamps resemble food stamps, thus reminding us that food can only be produced in exchange for other resources. When a visitor consumes food or beverages, we stamp the Soil Stamps accordingly.

Out of Soil Map
The Out of Soil Map illustrates the issue of large-scale land acquisitions: the buying of large pieces of land in developing countries, by domestic and transnational companies and governments. These transactions have long-lasting consequences for the local and regional agriculture and ecosystems, for farmers and the provision of the local population. We will stamp the Out of Soil Map, depending on what the visitors consume.

Soil Profile
Upon entrance the visitors are questioned regarding their relation to soil. Thereupon each visitor gets a sticker that displays his or her personal Soil Profile. The stickers are to be worn on the clothing. They might serve as a starting point for conversations among the visitors.

The project was developed for the International Week of Justice 2015 at Friedrich Ebert Stiftung. The project takes place at Haus 2 on April 21 – 23 from 17:30 to the end of the talks. Program flyer

About Myriel: Myriel Milicevic explores the hidden connections between people and their natural, social, and technical environments. These explorations are mostly of a participatory and playful nature and stimulate thinking about possible alternative systems. neighbourhoodsatellites.com

About Susanne: Susanne Jaschko is the founder of the prozessagenten label and works as curator of contemporary art. With prozessagenten she explores participation and collaboration as cultural techniques which support change and the generation of knowledge. sujaschko.de/en